She earned her bachelor's degree in Communications with a concentration in Professional Writing and a minor in Business Writing from Southern New Hampshire University.
6 Rapunzel Needs To Feel Like More Than A Disney Princess
It would be easy to make Rapunzel look the part. She should be awkward when she first leaves the tower, then overwhelmed by everything she sees. She should be excited, terrified, impulsive, and occasionally ridiculous. Most importantly, she needs to feel like the person driving her own story. Flynn doesn't rescue her from the tower. She makes a deal with him, drags him along on her adventure, and basically turns his entire life upside down.
That is also where Moana offers a useful warning. One was that some of Moana's physical feats didn't feel as convincing as they did in animation. Tangled cannot lose that sense of energy just because Rapunzel is being played by a real person. The frying pan, her hair, the climbing, chaos, and all of Rapunzel’s exaggerated reactions are part of the original films fun. She does not need to become a more "realistic" princess. She needs to feel like Rapunzel.
5
Rapunzel & Flynn's Chemistry Has To Work
The trip gives them plenty of time to get to know each other. Flynn is initially frustrated by how naive Rapunzel is, when she quickly realizes that the confident thief act is mostly a front. The Snuggly Duckling is an especially important moment because it shows Flynn that 4 The Music Can't Be An Afterthought
"I've Got A Dream" has an entirely different problem. The humor comes from how seriously these intimidating-looking criminals take their ridiculous dreams. A live-action remake could easily make those types of scenes feel awkward if the actors are too stiff or too realistic. The movie has to be willing to look a little silly, because that silliness is the point.
Most importantly, the cast shouldn't try to imitate the original performances note for note. That's part of the problem Moana ran into, with comparisons between Catherine Laga'aia's singing and Auli'i Carvalho’s much more powerful animated performance (via ). Tangled needs its own performances while still having the emotion behind the numbers. "I See The Light" especially shouldn't feel like two actors showing off their vocals. It should feel like Rapunze is experiencing the biggest night of her life, and Flynn is realizing he's falling in love with her.
3 Mother Gothel Needs To Be Genuinely Unsettling
When she asks to leave the tower, Gothel can initially laugh it off before turning cruel, attacking Rapunzel's intelligence and making her question whether she could survive without her. By the time Rapunzel finally realizes that Gothel has been manipulating her, the audience should already be dreading what happens when Gothel loses control. 2 The Lantern Scene Has To Live Up To The Original
Rapunzel has spent her entire life watching the lanterns from her tower without knowing why they appear every year, and now she is finally sitting in the middle of them with Flynn. Her excitement, disbelief, and growing realization that this night means more than she expected are what make the scene so special. The live-action version needs to give those emotions room to breathe instead of rushing toward the next big visual.
Flynn's role matters just as much; is the point where their relationship stops feeling like a temporary partnership and starts becoming something neither of them expected. “I See the Light” needs to feel like the soundtrack to that realization, not just a song playing over pretty CGI. The lanterns can look incredible, but if the audience isn't caught up in what the moment means to Rapunzel and Flynn, it will never have the same .
1
Tangled Can't Just Recreate The Animated Movie
Live action could make Rapunzel's isolation much more obvious by making the tower and the kingdom feel like two completely different worlds. The tower should feel quiet, enclosed, and almost unnaturally still. Rapunzel knows every corner of it, while the forest outside stretches around her with nothing but trees and empty space. The kingdom should be the exact opposite. It should be crowded, noisy, colorful, and constantly moving, with people talking over each other, musicians playing in the streets, boats passing through the harbor, and something new happening everywhere Rapunzel looks.
That contrast would make her first trip outside feel like more than a change in location. After spending 18 years in a place where she can predict almost everything, Rapunzel would suddenly be surrounded by thousands of things she has never seen or experienced. She could be fascinated by something as simple as a busy market or overwhelmed by having strangers brush past her. The bigger and more alive the kingdom feels, the easier it is to understand why Rapunzel has spent so long dreaming about it.
That is the kind of difference live action can bring to Tangled without changing the story. The tower should show the audience what Rapunzel has been missing, and the kingdom should finally show her just how much of the world was kept from her.
- Release Date
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March 31, 2028
- Director
- Writers
- Producers
Michael Gracey
Jennifer Kaytin Robinson, Michael Montemayor
Michael De Luca, Kristin Burr
Cast
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Rapunzel
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Milo ManheimFlynn Rider
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Mother Gothel
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Hawthorne