Urvashi in a still from ‘Aasha’
| Photo Credit: Saregama Malayalam/YouTube
At times, one or two sequences are all it takes to turn an otherwise unremarkable movie into a worthwhile experience. A memorable shot or a standout performance can almost make one forget the rest of its failings. The scene involving Urvashi’s titular character and a doctor in Safar Sanal’s

Aasha (Malayalam)
Director: Safar Sanal
Cast: Urvashi, Joju George, Aishwarya Lekshmi, Vijayaraghavan, Ajayan Adat
Runtime: 127 minutes
Storyline: A stubborn woman in a frayed mental state has a run in with a volatile man following a road accident, leading to serious consequences.
For a while, the film teases the prospect of a battle of egos — similar to

The primary conflict in the film is also on weak footing. Aasha’s drastic actions arise from certain assumptions about a situation, but it does not turn out to be a surprise for the audience when she finally realises the big picture. Some other sequences too seem contrived for cinematic conveniences. The music, the sound design (by Ajayan Adat, who plays a key character too), and other technical departments combine well to accentuate the dark mood in the later portions of the film. However, without ample support from the writing department, these do not leave the desired impact.
In the end, one is left only with Urvashi’s intense performances in some of the sequences, like a cricketer playing the lone stellar innings in a losing cause, a knock of such beauty that the result of the match becomes irrelevant. It again makes one realise how underutilised she has been recently in Malayalam cinema. If only the film had something more solid to back her, we might have had a gem of a movie.
Aasha is currently running in theatres